brighton

a henparty weekend in brighton, england.

Model: Christine Bruzzese
Make up: Nicolle Adrichem

Christine

Model : Christine Bruzzese

tangled

Jordan

Model: Jordan Covington

Secret Thursday: Composition, the golden spiral and rule of thirds

I learnt these compositional techniques in art class and they really relate to photography.  There's a few out there but I probably use these the most and now I seem to apply them subconsciously.  I tried placing the spiral on two images I'm editing in photoshop and they fit pretty well.  So next time you're composing a photograph, have a think about using these techniques.

Fibonacci spiral or Golden Spiral:

The spiral was first discovered by Pythagoras in 5^th Century B.C.  It comes from the Fibonacci sequence: 1,1,2,3,5,8,13,21,34,55,89,144 etc.  This is the result of adding the two previous numbers together to get the next number.  To put it simply, the spiral is made from making a square from original rectangle which will leave a new rectangle.  A new square is then cut from this leftover rectangle, leaving another rectangle to cut a square from and so on.  The spiral can be found everywhere from nature to architecture to paintings.  The idea in photography is that images are aesthetically pleasing to the eye when the focal point of the image lies under the centre of the spiral.

 Rule of Thirds:

Pretty self explanatory the frame is divided into three equal parts, horizontally and vertically (the spiral is a little different to thirds).  Our natural tendency is to frame whatever we’re taking a photograph of in the centre, where as if we place the point of focus over one or more of the point where the thirds meet then it is often creates a much more interesting composition.

Secret Thursday: How to convert your photo to black and white in a non destructive way

I love black and white photographs but came to realise this week when I had the opportunity to assist an another awesome fashion photographer, that I'd been losing the quality of my photographs with the way that I had converting them in photoshop.  I figured maybe other people could be making this same mistake so here's a tutorial for the new and improved monotoning of my photos.

If it get's a bit confusing the constant rule, here it is written out:

Whatever value you have gone over or under of the 100%, take this value, halve it then reverse it. e.g. 130% would be 30 over, so halve is 15, then reverse so -15.  This is just a rough rule use it to figure out what you think looks best.  If this video helps you in anyway please take a second to click the 'like' button on youtube.

It's been a busy last couple of weeks for me, I've been house hunting, then moving, assessments at college, working, assisting and having my mum over from England for a visit!  But the weekend's nearly here and I'll be off to the hunter valley for some chocolate tasting, wine tasting and cheese tasting.

Savoire Faire

 

Model: Doni Gales
Stylist: Viktoria Novak
Make up: Nicolle Adrichem
Hair: Roxanne Cahill
With thanks to Ben Scott of Studio 501

Last weekend I attending a photographic gathering at Studio 501 in Sydney, there were six models a stylist, make up artists, hair stylists and about 30 photographers who turned up to meet and shoot together.  Doni was the first girl I shot when I arrived and I stole her straight away and took her outside for this quick photo shoot.

fairytale

Model: Alex Wallace
Dress: Kunynghame by Stephanie Cuningham
Hair and Makeup: Emer Hawkins

last minute mini shoot

I loved this dress of Stephanie Cunningham's so much when I saw it on Facebook that I quickly asked her if we could shoot it.  The last minute shoot was organised for this morning with Alex Wallace modelling and hair and make up by Emer Hawkins (you can see her make up blog here)

Secret Thursday: How to change eye colour using photoshop

Wise words that I definitely need to take note of:

There are two ways to get enough.  One is to continue to accumulate more and more  The other is to desire less and less:  G.K. Chesteron

Secret Thursday: How to make eyes 'pop' in photoshop

It's been a crazy last two weeks, I've been photographing at the Royal Sydney Easter show non stop so no chance for shoots but hope to have some more work up on here soon.  Hope this video is helpful :)

Secret Thursday: How to make an animated gif using photoshop

It's a bit late because I've been super busy working on a two week job at the mo but here's the promised tutorial on how to make an animated gif using photoshop.  I think one of these days my computer might take off while recording these tutorials the way the fans are going...

I'm forever blowing bubbles...

I've been meaning to make this gif for a while and since todays shoot was cancelled the opportunity arose.  For those of you who have been following my blog you may remember me attending Julia Trotti's shoot out day last November, you can visit her awesome blog here or see my earlier blog post about the shoot out here.  

If I have time tomorrow morning I'll do a tutorial on how to make a gif, but I am pretty busy tomorrow and for the next fortnight, I've got a two week long photography job - yay!  I want to go and buy bubbles now.

Models: Charis Pixie Uppal & Alex Wallace
Make Up: Tamorha Ray
Clothes:  Stephanie Cunningham

Secret Thursday: How to get work as an Assistant Photographer

I thought it would be a good idea to write a post this thursday on becoming a photographers assistant.  Although this isn't an entirely necessary way to become a photographer and more of a traditional approach it is something I really wanted to do to improve my own knowledge of the industry.  Becoming an assistant  is often harder than you think it's going to be.

While I studied photography I took every opportunity to assist which was fairly easy because photographers often posted on our notice board asking for assistants and most of the time I was assisting for free.  You have to put in a lot of work for free in the beginning, I will still occasionally assist for free if it's for an amazing photographer.  If you don't have access to a student notice board for assisting work people will often tell you it's not what you know it's who you know.  I agree to this to a certain extent however I came to live in Sydney from knowing literally noone and looking for assisting work.

My approach:
Initially I was quite shy and tried emailing photographers, but from my experience note that emailing does not work.  Yes emails are great follow ups but photographers tend to be very busy people and emails just seem to go into a hole of nothingness and get forgotten about.  One of the photographers I assisted said he easily gets about 100 emails a week from wannabe assistants!

So I tried cold calling, I bought a bunch of magazines that I admired because I didn't really know who the fashion photographers were that worked in Sydney.  I went through those magazines and made a list of the photographers I really really liked.  I had a list of about 30 photographers.  One by one I researched the photographer like crazy, and searched the internet high and low for their phone numbers.  This was the scary part, and the first phone call is definitely the worst.  I offered to assist for free for work experience and still I was getting "no's", they were polite and very nicely put "no", usually they had a close team that they liked to work with and weren't looking for anyone else but I kept persisting and eventually a photographer very nicely suggested meeting for coffee.

I also tried calling agencies, this has to be the most successful way I've found of gaining assistant work.  And if you happen to get asked to assist a good photographer you pretty much have to drop everything and go.  The hours are long, you have to put on your 'I'm not tired' face and remain enthusiastic 'til the end and you will still get plenty of knock backs.  But it's pretty exciting seeing the way a shoot is lit, getting to see behind the scenes of high fashion magazine shoots and even more exciting having your name printed as the assistant in the magazine.  In my opinion it's an invaluable experience and worth it all.

Models: Charis Pixie Uppal & Alex Wallace
Make up: Tamorha Ray
Clothes: Stephanie Cunningham

Secret Thursday: How to create a vintage colour effect on your photos using curves

This photograph I took last weekend for a photography job, I was running around everywhere after this little one to try and get a shot which she thought was a great game but I finally managed to catch her.

Thanks to Sydney L for asking how I use colour in my photographs.  I use curves to play with the colours which you can find in the adjustment layers, here's a tutorial showing how to get a vintage colour look using them but have a play, get familiar with them and enjoy the many variations!

Original and with new curves

Secret Thursday: How to create a light leak using photoshop

Wow the weeks rock around so quickly - just a note if you try this tutorial make sure you use a soft brush.  also Sydney from sydsense for the colour request tutorial I shall do one soon :)

sneak peak from todays shoot....

Models: Alex Wallace and Charis Pixie Uppal
Designer: Stephanie Cunningham

wish I wasn't working a double tomorrow so I could edited todays shoot

Model: Courtney Palmer
Make up: Heather Davern@ Illamasqua

You can do anything but not everything

You can do anything but not everything: David Allen

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secret thursday: how to use simple photographic lighting in a studio

Studio lighting always seemed quite complicated before I worked as an assistant photographer (and I still am definitely no expert).  The following photographs were taken by Stephen Ward for Russh magazine and he is one of the best photographers I've assisted, you can see the rest of the shoot here.  His lighting in this shoot is quite simple but gives a very beautiful effect and makes the photograph look like a painting:

The circle with the cross is the model and the two square rectangles is a symbol for the camera.  

Grey flat refers to the background and black poly is polystyrene board painted black which will absorb light and so gives the dark shadow from behind.  Actually we moved the flat board and model to an more of an angle rather than directly parallel to the window.  As you can see there are no studio lights in this at all, instead the big window is used as the light source.

This is the (slightly) more complicated setup.  The background is white and quite far back from the model.  Towards the background is a light with a blue gel, which is blue acetate held secured in front of the bulb to colour the light and cast the blue onto the background.  You can see how the photographer chose to let a little of the blue light touch the left side of the models face.

Either side of the model is the polystyrene painted black which creates the black shadow either side of the models face.  

The main light is angled from 45 degrees, it's higher than the model and pointing downwards.

The 'white kick' is a small white reflector angled on the ground upwards at the model to bounce a bit of light back in.

This is a two light set up.

These photographs were NOT taken by me and remain the copyright of photographer Stephen Ward.